ESPARSHOT - Omid Shariat Photography

ESPARSHOT - Omid Shariat Photography

Digital Grotesque Photography
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GLOSSARY - DIGITAL IMAGING

Aliasing

Artifacts

Bits

Blooming

Color Spaces

Compression

Digital Zoom

Dynamic Range

Gamma

Histogram

Interpolation

Jaggies

JPEG

Moire

Noise

Noise Reduction

Posterization

RAW

Resolution

Sensitivity (ISO)

Sharpening

TIFF

Tonal Range

White Balance
   

Sensitivity (ISO)
 
Conventional film comes in different sensitivities (ASAs) for different purposes. The lower the sensitivity, the finer the grain, but more light is needed. This is excellent for outdoor photography, but for low-light conditions or action photography (where fast shutterspeeds are needed), more sensitive or "fast" film is used which is more "grainy".
Likewise, digital cameras have an ISO rating indicating their level of sensitivity to light. ISO 100 is the "normal" setting for most cameras, although some go as low as ISO 50. The sensitivities can be increased to 200, 400, 800, or even 3,200 on high-end digital SLRs. When increasing the sensitivity, the output of the sensor is amplified, so less light is needed. Unfortunately that also amplifies the undesired noise. Incidentally, this creates more grainy pictures, just like in conventional photography, but because of different reasons. It is similar to turning up the volume of a radio with poor reception. Doing so will not only amplify the (desired) music but also the (undesired) hiss and crackle or "noise". Improvements in sensor technology are steadily reducing the noise levels at higher ISOs, especially on higher-end cameras. And unlike conventional film cameras which require a change of film roll or the use of multiple bodies, digital cameras allow you to instantly and conveniently change the sensitivity depending on the circumstances.
 
ISO 100 ISO 800
ISO 100 - Red Channel ISO 800 - Red Channel
 
The above unmagnified crops of prosumer digital camera images show high levels of color noise at higher sensitivities. Noise is usually most visible in the red and blue channels.

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