ESPARSHOT - Omid Shariat Photography

ESPARSHOT - Omid Shariat Photography

Digital Grotesque Photography
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GLOSSARY - DIGITAL IMAGING

Aliasing

Artifacts

Bits

Blooming

Color Spaces

Compression

Digital Zoom

Dynamic Range

Gamma

Histogram

Interpolation

Jaggies

JPEG

Moire

Noise

Noise Reduction

Posterization

RAW

Resolution

Sensitivity (ISO)

Sharpening

TIFF

Tonal Range

White Balance
   

Noise
 
The Cause: Sensor Noise
Each pixel in a camera sensor contains one or more light sensitive photodiodes which convert the incoming light (photons) into an electrical signal which is processed into the color value of the pixel in the final image. If the same pixel would be exposed several times by the same amount of light, the resulting color values would not be identical but have small statistical variations, called "noise". Even without incoming light, the electrical activity of the sensor itself will generate some signal, the equivalent of the background hiss of audio equipment which is switched on without playing any music. This additional signal is "noisy" because it varies per pixel (and over time) and increases with the temperature, and will add to the overall image noise. It is called the "noise floor". The output of a pixel has to be larger than the noise floor in order to be significant (i.e. to be distinguishable from noise).
 
The Effect: Image Noise

Noise in digital images is most visible in uniform surfaces (such as blue skies and shadows) as monochromatic grain, similar to film grain (luminance noise) and/or as colored waves (color noise). As mentioned earlier, noise increases with temperature. It also increases with sensitivity, especially the color noise in digital compact cameras (example D below). Noise also increases as pixel size decreases, which is why digital compact cameras generate much noisier images than digital SLRs. Professional grade cameras with higher quality components and more powerful processors that allow for more advanced noise removal algorithms display virtually no noise, especially at lower sensitivities. Noise is typically more visible in the red and blue channels than in the green channel. This is why the unmagnified red channel crops in the examples below are better at illustrating the differences in noise levels.

 
Blue Sky Crop A B C D E
RGB
Red Channel
Camera Grade Professional Prosumer Prosumer Prosumer Crop C after 123di noise reduction.
Camera Type SLR SLR Compact Compact
Pixel Size Large Large Small Small
ISO 100 200 100 800
Red Ch. St. Dev. 1.8 2.5 5.6 22.6 1.4
 
The standard deviation measured in a uniform area of an image (in the above examples measured in the red channel) is a good way to quantify image noise as it is an indication of how much the pixels in that area differ from the average pixel value in that area. The standard deviation in the noisy examples C and D is much larger than A, B, and E. Crop E shows that noise reduction can go a long way.
 
Long Exposure "Stuck Pixels" Noise
Another type of noise, often referred to as "stuck pixels" or "hot pixels" noise, occurs with long exposures (1-2 seconds or more) and appears as a pattern of colored dots (slightly larger than a single pixel). As explained in the noise reduction topic, long exposure noise is much less visible in the latest digital cameras.

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